Vedas comes from “veda” (knowledge) and the Vedas are the scriptures of knowledge written down by the Vedic seers and teachers, which include the oldest literary works in the world. The so-called original four Vedas (Rig, Yajur, Sama and Atharva) are understood as Vedas in the narrow sense, and in the broader sense also all subsequent writings and commentaries (Upanishads, Puranas, Mahabharata, Ramayana etc.) In this sense, the writings of the Gaudiya Vaishnavas and the books of Srila Prabhupada also belong to the Vedas, for example. The Bhagavad-Gita belongs to the 5th Veda.
The one Veda – the science of sound vibration
When we speak of the Vedas, we are primarily referring to the written form of the Vedas that is available to us today in the form of books. However, this form has only existed for around 5,000 years, when Srila Vyasadeva divided the original Veda into four parts and had them written down.
The Veda is originally spiritual sound vibration and as such exists in four phases, which are very difficult to perceive. Three of these phases are within the living being, and only the fourth phase is manifested outside the living being as speech or audible sound vibration. The four phases of Vedic sound are:
(i) para: The Vedic sound that manifests at the most subtle level of life force or prana in the adhara-cakra is called para. The adhara-cakra supplies prana to the entire body, and the Vedic sound manifested at this level modulates the vibrations of the life force that carries out the activities of consciousness and enlivens the senses.
(ii) pasayanti: The Vedic sound manifested at the subtle level of the mind in the manipura or navel cakra is called pasyanti or the mental phase of Vedic sound.
(iii) madhyama: The intellectual phase of the Vedic sound is called madhyama and manifests at the level of intelligence in the anahata or heart cakra, where the spiritual soul and the Supersoul are also transcendentally situated.
(iv) vaikhari: The audible phase or sensual phase of Vedic sound manifested to the senses is called vaikhari and is manifested in gross matter as sound. However, for the exact understanding of this manifested Vedic sound, a large number of aids are required, which are presented as a separate science in the supplements to the Vedic scriptures known as Vedangas.
Vedic sound is called ananta-para because it exists beyond space and time and encompasses all the creative forces of the universe and beyond. It is not material and is never affected by the three modes of material nature.
In its various phases it can only be understood by self-realized souls like Narada and Vyasadeva, who have purified their own existence from all material influences and can thus directly perceive the Vedic sound in its original form. These self-realized souls make the Vedic sound accessible to those who cannot perceive it in its various phases because their consciousness is subject to material influences.
Their aim is to purify the materially conditioned living entities through their teachings and thus also enable them to perceive the Vedic sound directly. To this end, through the process of initiation, they give the conditioned souls so-called mantras, Vedic sound sequences that have the power to free the person’s mind from material influences. When such a mantra is passed on by a genuine spiritual master and uttered by the disciple in accordance with the accompanying instructions of the master, the Vedic sound thus produced has, in addition to the audible phase, the three inner phases, whereby both the gross and subtle planes are filled with spiritual sound and purified.
The vaikhari phase of Vedic sound corresponds to the modern limited conception of sound as a purely physical phenomenon. The three subtle phases have an additional semantic quality that is not accessible to modern physical understanding. Because the subtle body and thus also the citta element resonate in the subtle phases of sound, the meaning of sound as its subtle form is contained in the sound to varying degrees on these levels and is not distinct from the sound itself.
On the para-sound level, the separation between symbol and meaning is completely eliminated, while this separation is already manifested on the pasyanti level and is only fully completed on the madhyama level. The sound on the madhyama level thus has two components, one of which is the physical sound vibration and the other its meaning. These distinctions play a major role especially in linguistics, but also have an impact on the understanding of the physical world.
Vedic sound is purely spiritual because its origin is the Supreme Personality of Godhead, who is represented by it in the material world and gives form and structure to material energy. The information and intelligence underlying the material world thus affects matter through the Vedic sound.
The syllable Om, the Vedic omkara, contains all Vedic sound vibrations and is therefore also a complete representation of God. This omkara is manifested in every living being in its subtle phases and can be perceived through meditation.
In the Bhagavad-gita, one of the most important Vedic texts, Shri Krsna explains: “If one is fixed in this yoga process and chants the holy syllable Om, the highest combination of letters, and if one then thinks of the Supreme Personality of Godhead when leaving the body, one will certainly attain the spiritual planets.
As a sound representation of the Absolute, omkara also exists in three phases, which means that it not only represents spiritual oneness but also refers to the transcendental form of the Supreme Personality of Godhead beyond the localized aspect of Godhead and thus also has a transcendental personal form. It is said in the Vedas that with respect to the personal aspect of Godhead, the omkara is identical with the maha-mantra, which is known as the great mantra:
Hare Krishna Hare Krishna
Krishna Krishna Hare Hare
Hare Rama Hare Rama
Rama Rama Hare Hare
Above all, Shri Chaitanya Mahaprabhu, who lived in West Bengal about 500 years ago and is the most important teacher of the Gaudiya-Vaisnava-Sampradaya, has recommended the chanting of this mantra as the most powerful way to realize Vedic knowledge, because it very quickly frees the consciousness of the person who chants this mantra from all material influences and reawakens the original pure consciousness of the living being. In this enlightened state, he taught, the successful transcendentalist feels pure love for God and offers Him devotional service with transcendental joy.
Conclusion
This text has tried to make it clear that Vedic culture can indeed provide the framework for a spiritual science that is broad enough to promote all kinds of knowledge that will help mankind to progress both materially and spiritually.
Spiritual development has been considered more important than temporary material progress.
Vedic knowledge has helped people to walk the path to spiritual realization for many millennia and can help to open up the spiritual path to more and more people, especially in modern times, by forming the basis of a spiritual science that transcends the boundaries of nationality, religion and ideology.